Concerti.de – “Leandro Marziotte in particular, as the lithely devious Oberon, is an excellent complement to the house ensemble offered by the piece.”
Oper Halle – A Midsummer Night’s Dream – 2021
Klassik Begeistert – Puck serves the king of the elves, Oberon, who is sung very finely, delicately and wonderfully esthetically, especially in the high register, by countertenor Leandro Marziotte – always a welcome guest at Oper Halle.
Oper Halle – A Midsummer Night’s Dream – 2021
Neue Musikzeitung – “As Oberon, soft in character and voice, Leandro Marziotte acts against the conventional cast with brutal countertenor. In a black lacquer suit, Marziotte walks through the piece like a fallen angel and creates the ideal counterpart to Theseus, upgraded by Sutcliffe as the central role.”
Oper Halle – A Midsummer Night’s Dream – 2021
Klassik Begeistert – “The Judas of countertenor Leandro Marziotte is similarly moving. He sings and plays Judas with his high, disturbingly beautiful traitor’s voice, which stands out from the male ensemble. But who among us has not betrayed another human being?”
Oper Halle – Brockes Passion, Händel – 2021
Das Opern Glas – “When such an outstanding countertenor as Leandro Marziotte takes on the role, it is a very fortunate event. At the Handel Festivals in Gottingen and Halle he had already attracted attention with his wonderful voice. His stage presence and his creative power, both singing and acting, are phenomenal. When he sings the most famous aria of the opera, “Che farò senza Euiridice”, one would like to believe that pure gold is flowing from his throat.”
Theater Lüneburg – Orfeo ed Euridice, Gluck – 2020
Tantznetz.de – “Rarely do you see dance and song in such harmony. Especially because the performer of Orpheus, the countertenor Leandro Marziotte from Uruguay, almost passes for a dancer himself with his delicate physique and his musical way of moving on stage. He commands not only a grandiose voice, but also that certain something that is able to unite with the dance to create a total work of art. […] The coloratura aria of Orpheus with its multiple high Gs, normally sung by a mezzo-soprano, in which he expresses his joy at being allowed to descend into the underworld. How effortlessly Leandro Marziotte sings this difficult aria is absolutely breathtaking – weightlessly the notes pearl, effortlessly they climb every height, animated even then in expression, helped by the Italian language in which the entire opera is sung in Lüneburg.”
Theater Lüneburg – Orfeo ed Euridice, Gluck – 2019
Classique News – “The soloists show a good general level, dominated by the superb Leandro Marziotte, a counter-tenor with natural and airy phrasing, not to mention his deliciously velvety tone.”
Ricercar Consort – Bach Festival Leipzig – 2019
Klassik.com – “The countertenor Leandro Marziotte in the title role is quite simply a runaway success. His vocal sound is immensely sexy, well-balanced in all registers and the singer is also confident in his colouratura. Marziotte’s singing is exciting. He masters the bravura passages as well as the tender and intimate moments. His arias are the undisputed highlights of this premiere.”
CD – Opera ‘Flavio Crispo’ from Heinichen – Stuttgart – 2019
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